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Frau, Geschirr scheuernd Gemälde ID:: 71366
Siehe Galerie in Schweden
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Frau, Geschirr scheuernd c. 1736
Oil on canvas
Private collection
c._1736_
_Oil_on_canvas
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_Private_collection
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Young Student Drawing Gemälde ID:: 71482
Siehe Galerie in Schweden
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Young Student Drawing Date ca. 1738(1738)
Medium Oil on panel
Date_ca._1738(1738)
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Medium_Oil_on_panel
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Frau Geschirr scheuernd Gemälde ID:: 72463
Siehe Galerie in Schweden
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Frau Geschirr scheuernd Date Deutsch: um 1736
English: c. 1736
cyf Date_Deutsch:_um_1736
English:_c._1736_
cyf
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Stilleben mit Porzellankanne Gemälde ID:: 74331
Siehe Galerie in Schweden
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Stilleben mit Porzellankanne 1763(1763)
Oil on canvas
47 X 57 cm
cjr 1763(1763)
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Oil_on_canvas
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_47_X_57_cm_
cjr
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Un Chimiste dans son laboratoire, dit Le Souffleur Gemälde ID:: 74818
Siehe Galerie in Schweden
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Un Chimiste dans son laboratoire, dit Le Souffleur 1734(1734)
Oil on canvas
138 X 105 cm (54.33 X 41.34 in)
cjr 1734(1734)
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Oil_on_canvas
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138_X_105_cm_(54.33_X_41.34_in)
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cjr
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| Vorheriger Künstler Nächster Künstler
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Jean Simeon Chardin
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(2 November 1699 - 6 December 1779) was an 18th-century French painter. He is considered a master of still life, and is also noted for his genre paintings which depict kitchen maids, children, and domestic activities. Carefully balanced composition, soft diffusion of light, and granular impasto characterize his work.
Chardin was born in Paris, the son of a cabinetmaker, and rarely left the city. He lived on the Left Bank near Saint-Sulpice until 1757, when Louis XV granted him a studio and living quarters in the Louvre.
Chardin entered into a marriage contract with Marguerite Saintard in 1723, whom he did not marry until 1731. He served apprenticeships with the history painters Pierre-Jacques Cazes and Noël-Nicolas Coypel, and in 1724 became a master in the Academie de Saint-Luc.
According to one nineteenth-century writer, at a time when it was hard for unknown painters to come to the attention of the Royal Academy, he first found notice by displaying a painting at the "small Corpus Christi" (held eight days after the regular one) on the Place Dauphine (by the Pont Neuf). Van Loo, passing by in 1720, bought it and later assisted the young painter
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